Before Donald Sterling sued the NBA on Friday afternoon, his wife, Shelly, accepted a $2-billion offer for the Los Angeles Clippers. Forbes senior editor Kurt Badenhausen discussed the record breaking offer with Bill Littlefield.
Most basketball players and fans believe in the hot hand, but scientists and statisticians have dismissed the idea for decades. Now, a new study claims to have uncovered proof that the hot hand is real. OAG’s Doug Tribou reports.
Getting banned from the NBA has not silenced L.A. Clippers owner Donald Sterling. Bill Littlefield speculates on how all this is going down in the mind of NBA Commissioner Adam Silver.
Oklahoma City is still in the running for the NBA championship but Kevin Durant has already taken home one trophy: the MVP award. Columnist Berry Tramel of The Oklahoman joins Bill Littlefield to discuss Durant’s season.
The Wall Street Journal’s Stu Woo catches us up on who could be the next owner of the Los Angeles Clippers.
Bill Littlefield sat down with ESPN Senior Writer Peter Keating to learn more about Sterling’s past and put into better context recent events.
Clippers owner Donald Sterling has been given a lifetime ban from the NBA and will likely be forced to sell the team too. Bill Littlefield looks into the controversy that has been swirling around Sterling’s racist remarks.
On Tuesday, NBA Commissioner Adam Silver announced that he was banning L.A. Clippers owner Donald Sterling for life and fining him $2.5 million for his racist comments that became public over the weekend. Silver is also pushing a vote that could force Sterling to sell the team. Bill Littlefield shares his thoughts on the situation.
The Washington Wizards, back in the NBA playoffs for the first time since 2008, jumped out to a quick lead in their series with the Chicago Bulls. Mike Wise of the Washington Post joins Bill Littlefield to discuss the team’s turnaround.
During their series with Tampa Bay, the Montreal Canadiens unveiled a new pregame video that turns the ice into a 3-D video screen and culimnates in a raging digital inferno. OAG’s Zoë Sobel looks into the production.